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The Age of Innocence


Release date: 13 Mar 2018
BLU-RAY SRP: $39.95/2-Disc DVD SRP: $29.95
Director-Approved Special Edition Disc Features:
  • New, restored 4K digital transfer, approved by director Martin Scorsese, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
  • New interviews with Scorsese, coscreenwriter Jay Cocks, production designer Dante Ferretti, and costume designer Gabriella Pescucci
  • Innocence and Experience – A 1993 documentary on the making of the film
  • Trailer
  • PLUS: An essay by critic Geoffrey O’Brien


Criterion March Announcements
 
Quote: No filmmaker captures the grandeur and energy of New York like Martin Scorsese. With this sumptuous romance, he meticulously adapted the work of another great New York artist, Edith Wharton, bringing to life her tragic novel of the cloistered world of Gilded Age Manhattan. The Age of Innocence tells the story of Newland Archer (Daniel Day-Lewis), whose engagement to an innocent socialite (Winona Ryder) binds him to the codes and rituals of his upbringing. But when her cousin (Michelle Pfeiffer) arrives in town on a wave of scandal after separating from her husband, she ignites passions in Newland he never knew existed. Swelling with exquisite period detail, this film is an alternately heartbreaking and satirical look at the brutality of old-world America.


Baal


Release date: 20 Mar 2018
BLU-RAY SRP: $39.95/DVD SRP: $29.95
Director-Approved Special Edition Disc Features:
  • New, restored 2K digital transfer, supervised by director Volker Schlöndorff, with uncompressed monaural soundtrack on the Blu-ray
  • Interviews from 1973 and 2015 with Schlöndorff
  • New conversation between actor Ethan Hawke and playwright Jonathan Marc Sherman about the play and adaptation
  • New interview with actor and filmmaker Margarethe von Trotta
  • New interview with film historian Eric Rentschler
  • New English subtitle translation
  • PLUS: An essay by critic Dennis Lim


Criterion March Announcements
 
Quote: Volker Schlöndorff transported Bertolt Brecht’s 1918 debut play to contemporary West Germany for this vicious experiment in adaptation, seldom seen for nearly half a century. Oozing with brutish charisma, Rainer Werner Fassbinder embodies the eponymous anarchist poet, who feels himself cast out from bourgeois society and sets off on a schnapps-soaked rampage. Hewing faithfully to Brecht’s text, Schlöndorff juxtaposes the theatricality of the prose with bare-bones, handheld 16 mm camera work, which gives immediacy to this savage story of rebellion. Featuring a supporting cast of Fassbinder’s troupe of theater actors as well as Margarethe von Trotta, Baal demonstrates the uncompromising nature of Schlöndorff’s vision and forged a path for New German Cinema.


The Passion of Joan of Arc


Release date: 20 Mar 2018
BLU-RAY SRP: $39.95/DVD SRP: $29.95
Disc Features:
  • New high-definition digital restoration of the film by Gaumont, presented at 24 frames per secondAlternate presentation of the film at 20 frames per second with original Danish intertitles
  • Three scores: Richard Einhorn’s Voices of Light – A choral and orchestral work performed by vocal group Anonymous 4, soloist Susan Narucki, and the Netherlands Radio Philharmonic and Choir; another by Goldfrapp’s Will Gregory and Portishead’s Adrian Utley; and the third composed and performed by pianist Mie Yanashita
  • Audio commentary from 1999 by film scholar Casper Tybjerg
  • New interview with Einhorn
  • New conversation between Gregory and Utley
  • New video essay by Tybjerg exploring the debate over the film’s frame rate
  • Interview from 1995 with actor Renée Falconetti’s daughter and biographer, Hélène Falconetti
  • Version history
  • Production design archive
  • New English subtitle translation
  • PLUS: An essay by critic Mark Le Fanu, a 1929 director’s statement by Carl Theodor Dreyer, and the full libretto for Voices of Light

 
Criterion March Announcements

Quote: Spiritual rapture and institutional hypocrisy come to stark, vivid life in one of the most transcendent masterpieces of the silent era. Chronicling the trial of Joan of Arc in the days leading up to her execution, Danish master Carl Theodor Dreyer depicts her torment with startling immediacy, employing an array of techniques—including expressionistic lighting, interconnected sets, and painfully intimate close-ups—to immerse viewers in her subjective experience. Anchoring Dreyer’s audacious formal experimentation is a legendary performance by Renée Falconetti, whose haunted face channels both the agony and the ecstasy of martyrdom.


Women in Love


Release date: 27 Mar 2018
BLU-RAY SRP: $39.95/DVD SRP: $29.95
Disc Features:
  • New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
  • Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer
  • Segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive
  • A British Picture: Portrait of an Enfant Terrible – Russell’s 1989 biopic on his own life and career
  • Interview from 1976 with actor Glenda Jackson
  • Interviews with Kramer and actors Alan Bates and Jennie Linden from the set
  • New interviews with director of photography Billy Williams and editor Michael Bradsell
  • Second Best, a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates
  • Trailer
  • PLUS: An essay by scholar Linda Ruth Williams

 
Criterion March Announcements

Quote: With this film, the audacious Ken Russell vaulted onto the international stage, drawing on the psychosexual radicalism of D. H. Lawrence’s classic novel to shatter taboos in his own time. Set in an English mining community on the crest of modernity, Women in Love traces the shifting currents of desire that link the emancipated Brangwen sisters (Jennie Linden and an Oscar-winning Glenda Jackson) to a freethinking dreamer (Alan Bates) and a hard-willed industrialist (Oliver Reed)—as well as the men’s own erotically charged friendship. Coupling earthy sensuality with kaleidoscopically stylized images, Russell pursues this quartet to the heights of agony and ecstasy, crafting a breathtaking drama of human sexuality at its most liberating, dominating, and destructive extremes.


King of Jazz


Release date: 27 Mar 2018
BLU-RAY SRP: $39.95/DVD SRP: $29.95
Disc Features:
  • New 4K digital restoration by Universal Pictures, with uncompressed monaural soundtrack on the Blu-ray[8]New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano
  • New introduction by Giddins
  • New interview with musician and pianist Michael Feinstein[8]Four new video essays by authors and archivists James Layton and David Pierce on the development and making of King of Jazz
  • Deleted scenes and alternate opening-title sequence
  • All Americans – 1929 short film featuring a version of the “Melting Pot” number that was restaged for the finale of King of Jazz
  • I Know Everybody and Everybody’s Racket – A1933 short film featuring Paul Whiteman and His Orchestra
  • Two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from King of Jazz

 
Criterion March Announcements

Quote: Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows of the time to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers overseen by Whiteman himself (including a larger-than-life rendition of George Gershwin’s “Rhapsody in Blue”)—all lavishly staged by veteran theater director John Murray Anderson and beautifully shot in early Technicolor. Long available only in incomplete form, King of Jazz appears here newly restored to its original glory, offering a fascinating snapshot of the way mainstream American popular culture viewed itself at the dawn of the 1930s.



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