No Country for Old Men (US - DVD R1 | BD RA)
Buena Vista Home Entertainment has now revealed art for the Coen Bros film
Title: No Country for Old Men (IMDb)
Starring: Tommy Lee Jones
Released: 11th March 2008
SRP: $29.99
Further Details:
Buena Vista Home Entertainment has announced the critically acclaimed No Country for Old Men which stars Tommy Lee Jones, Javier Bardem, and Josh Brolin. This new film from Joel and Ethan Coen, will be available to own from the 11th March. Retail will be around $29.99. The film itself will be presented in 2.35:1 anamorphic widescreen, along wit h an English Dolby Digital 5.1 Surround track. According to our friends at TheDigitalBits.com, the only extra material will be 3 making of documentaries (Working with the Coens: Reflections of Cast and Crew, The Making of No Country for Old Men, and Diary of a Country Sheriff). A Blu-ray release will also be available for $34.99 with identical features. Artwork is attached.


News by Tom Woodward
Starring: Tommy Lee Jones
Released: 11th March 2008
SRP: $29.99
Further Details:
Buena Vista Home Entertainment has announced the critically acclaimed No Country for Old Men which stars Tommy Lee Jones, Javier Bardem, and Josh Brolin. This new film from Joel and Ethan Coen, will be available to own from the 11th March. Retail will be around $29.99. The film itself will be presented in 2.35:1 anamorphic widescreen, along wit h an English Dolby Digital 5.1 Surround track. According to our friends at TheDigitalBits.com, the only extra material will be 3 making of documentaries (Working with the Coens: Reflections of Cast and Crew, The Making of No Country for Old Men, and Diary of a Country Sheriff). A Blu-ray release will also be available for $34.99 with identical features. Artwork is attached.


News by Tom Woodward
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Cheddar J. Cheese wrote: How much you wanna bet the cover art changes to feature a "Winner of 4 Academy Awards Best Picture, Director, Supporting Actor, Adapted Screenplay" banner? Actually they put a sticker on it that says "Winner Academy Award 2007 Best Picture." remember just a sticker they put on it that says that
"An Instant Classic!"
That's the best quote they could come up with? Christ.
That's the best quote they could come up with? Christ.
I know this has been said before, but the cover sucks so bad
Hopefully they tack on a little more meat as well. It's a shame to see such a bare-bones release for the Best Picture of the year.
Yeah, they're definatly going to change that cover soon.
How much you wanna bet the cover art changes to feature a "Winner of 4 Academy Awards Best Picture, Director, Supporting Actor, Adapted Screenplay" banner?
I hate to sound generic, but this was also my pick for best film of the year. Will probably import the UK hd-dvd once I can get it for next to nothing
A blind Buy but i think i should wait for Miramax Films/Paramount Vantage. To realease a Special Edition
Tony DeFrancisco wrote: Filligan wrote: I usually don't give a damn about floating heads, but why would you do it for this movie? Why would you not put Brolin in the middle? They obviously don't care that the names match up to the respective head. Bardem should not get the biggest focus on this... freakin' cover. It should be like the theatrical poster where he IS the background. Point is, he is the villain in this movie... you don't give him the big middle spot, putting both the heroes in half shadow. To tell you the truth, I find the other two characters much more villainous than Bardem's in all of the different reasons. While we're not supposed to be, the Coens and Cormac make it hidden within the context to where we're actually supposed to think about it.
Is Bardem villainous? Sure. Just about anyone that kills should be considered a villain.
But what about Josh Brolin? You can't go against the thought about him stealing the money. Is he any less of a villain by stealing a suitcase filled with money, compared to a guy who kills people? No, not really. Just that Spider-Man would probably find this guy quicker.
And as far as Tommy Lee Jones go, no, he's not a villain. But look throughout the movie, and he considers himself a villain the entire time. Especially within the final moments, where he knows that Bardem is in one of the rooms (and possibly the one he is in). Most cops wouldn't take a chance to capture a ruthless criminal. Plus, if anything is more symbolic than the chance that he has as to capture the criminal, he talks about in the first dream how he lost money. Think of money as something valuable, as the lives of people he was supposed to protect, or even that suitcase of money. The second dream only explains how there is really no country for old men.
I like how this film has millions of interpretations, but in this case we disagree. And not just in the terms of the film's characters, but in real life... ethics. You're saying a person who steals is just a "evil", we'll say, as someone who murders? You can say Brolin's character is wrong for stealing the money, but SOMEONE was going to come along to take it at one point. And it was THEIR story we're gonna follow. Comparing him to Bardem's character, who transcends typical human villainy, just doesn't seem right. This man is cold, calculating, and he kills innocent person after innocent person. Brolin, meanwhile, is just trying to get away with the chance of a life outside of a trailer park. As for Jones' character "thinking" he's a villain throughout the movie... well, I don't agree with that in the first place, but even so it sounds irrelevant. And I don't believe Bardem was in the hotel room at the end.
Anyway, all of this aside... Brolin is STILL the man the audience roots for, so he is still our hero (or anti-hero, if you must just because he steals). He shouldn't get pushed to the side for the sake of the man he is running from and we don't root for. It's like if they put a huge picture of Tommy Lee Jones on the cover of The Fugitive, and in the corner was a tiny little one of Harrison Ford.
Is Bardem villainous? Sure. Just about anyone that kills should be considered a villain.
But what about Josh Brolin? You can't go against the thought about him stealing the money. Is he any less of a villain by stealing a suitcase filled with money, compared to a guy who kills people? No, not really. Just that Spider-Man would probably find this guy quicker.
And as far as Tommy Lee Jones go, no, he's not a villain. But look throughout the movie, and he considers himself a villain the entire time. Especially within the final moments, where he knows that Bardem is in one of the rooms (and possibly the one he is in). Most cops wouldn't take a chance to capture a ruthless criminal. Plus, if anything is more symbolic than the chance that he has as to capture the criminal, he talks about in the first dream how he lost money. Think of money as something valuable, as the lives of people he was supposed to protect, or even that suitcase of money. The second dream only explains how there is really no country for old men.
I like how this film has millions of interpretations, but in this case we disagree. And not just in the terms of the film's characters, but in real life... ethics. You're saying a person who steals is just a "evil", we'll say, as someone who murders? You can say Brolin's character is wrong for stealing the money, but SOMEONE was going to come along to take it at one point. And it was THEIR story we're gonna follow. Comparing him to Bardem's character, who transcends typical human villainy, just doesn't seem right. This man is cold, calculating, and he kills innocent person after innocent person. Brolin, meanwhile, is just trying to get away with the chance of a life outside of a trailer park. As for Jones' character "thinking" he's a villain throughout the movie... well, I don't agree with that in the first place, but even so it sounds irrelevant. And I don't believe Bardem was in the hotel room at the end.
Anyway, all of this aside... Brolin is STILL the man the audience roots for, so he is still our hero (or anti-hero, if you must just because he steals). He shouldn't get pushed to the side for the sake of the man he is running from and we don't root for. It's like if they put a huge picture of Tommy Lee Jones on the cover of The Fugitive, and in the corner was a tiny little one of Harrison Ford.
It's no There Will Be Blood, but it's one of the best films of the last decade. Goddamn floating heads.
By far the best film of the year, Atonement was very good as was There Will Be Blood, but to me No Country is in a league of its own. Ive seen it 3 times so far and its better and better every time. It's to me the best film since American Beauty and I cant wait to get this DVD. I definitely agree that they should have used the artwork from the poster on the cover its a brilliant movie poster I think but oh well i guess cant really complain, and I wouldn't really urge to many of you to wait for a SE it be nice but even if one does com out it won't be for a couple of years if not longer so dont hold your breath. A must buy
*SPOILERS*
I have to defend us "third act haters". I'm sick of reading reviews where someone assumes we "need everything wrapped up in a neat and tidy bow." F- that! That's not it at all. When Brolin's character was all of a sudden gone, I was totally suspended in disbelief. Asking "wtf?!" and then questioning the entire movie thereafter. Brolin's character was a good guy (and don't give me that sh-t about him taking the money makes him a villain. he "stole" it from a dead guy's hands, and drug dealers at that. He even came BACK to the crime scene to give the dying guy a drink of WATER!). We were rootin' for him. But I knew he might not live, against a pure evil s.o.b. like Anton (and in a Coens' film). BUT, having him killed offscreen just sucked. Why would anyone LIKE that about a film??? Just 'cause it's different??? Give me a break. I've seen plenty of movies that are unpredictable and unique. But they don't screw the audience! Here, I felt totally screwed.
Believe it or not, I'm a big Coen Bros. fan (Miller's Crossing, Raising Arizona, and Big Lebowski are three of my all time fav' films). And I know the Coens were extremely faithful to the book, so I blame the author, Cormac.
I have to defend us "third act haters". I'm sick of reading reviews where someone assumes we "need everything wrapped up in a neat and tidy bow." F- that! That's not it at all. When Brolin's character was all of a sudden gone, I was totally suspended in disbelief. Asking "wtf?!" and then questioning the entire movie thereafter. Brolin's character was a good guy (and don't give me that sh-t about him taking the money makes him a villain. he "stole" it from a dead guy's hands, and drug dealers at that. He even came BACK to the crime scene to give the dying guy a drink of WATER!). We were rootin' for him. But I knew he might not live, against a pure evil s.o.b. like Anton (and in a Coens' film). BUT, having him killed offscreen just sucked. Why would anyone LIKE that about a film??? Just 'cause it's different??? Give me a break. I've seen plenty of movies that are unpredictable and unique. But they don't screw the audience! Here, I felt totally screwed.
Believe it or not, I'm a big Coen Bros. fan (Miller's Crossing, Raising Arizona, and Big Lebowski are three of my all time fav' films). And I know the Coens were extremely faithful to the book, so I blame the author, Cormac.
Same page with knightd (kind of) and JoJo: 01. There Will Be Blood 02. No Country For Old Men 03. Atonement
"We all float down here" - Pennywise the Clown
Bardem looks nothing like himself & Brolin looks like he's in his late 40s...
Er Tony that is the most worrying thing I have ever read!
'But what about Josh Brolin? You can't go against the thought about him stealing the money. Is he any less of a villain by stealing a suitcase filled with money, compared to a guy who kills people? No, not really.'
Er YES his is a bigger villain, because he took human life.
What an extremely f**ked up thing to say!
So if someone stole money from your wife, you'd be just as angry at him as if he had killed her? Money is more important than human life?
Jesus Wept! You must be a Republican.........
'But what about Josh Brolin? You can't go against the thought about him stealing the money. Is he any less of a villain by stealing a suitcase filled with money, compared to a guy who kills people? No, not really.'
Er YES his is a bigger villain, because he took human life.
What an extremely f**ked up thing to say!
So if someone stole money from your wife, you'd be just as angry at him as if he had killed her? Money is more important than human life?
Jesus Wept! You must be a Republican.........
I'll definitely be grabbing this at some point. Loved it.
Filligan wrote: I usually don't give a damn about floating heads, but why would you do it for this movie? Why would you not put Brolin in the middle? They obviously don't care that the names match up to the respective head. Bardem should not get the biggest focus on this... freakin' cover. It should be like the theatrical poster where he IS the background. Point is, he is the villain in this movie... you don't give him the big middle spot, putting both the heroes in half shadow. To tell you the truth, I find the other two characters much more villainous than Bardem's in all of the different reasons. While we're not supposed to be, the Coens and Cormac make it hidden within the context to where we're actually supposed to think about it.
Is Bardem villainous? Sure. Just about anyone that kills should be considered a villain.
But what about Josh Brolin? You can't go against the thought about him stealing the money. Is he any less of a villain by stealing a suitcase filled with money, compared to a guy who kills people? No, not really. Just that Spider-Man would probably find this guy quicker.
And as far as Tommy Lee Jones go, no, he's not a villain. But look throughout the movie, and he considers himself a villain the entire time. Especially within the final moments, where he knows that Bardem is in one of the rooms (and possibly the one he is in). Most cops wouldn't take a chance to capture a ruthless criminal. Plus, if anything is more symbolic than the chance that he has as to capture the criminal, he talks about in the first dream how he lost money. Think of money as something valuable, as the lives of people he was supposed to protect, or even that suitcase of money. The second dream only explains how there is really no country for old men.
Is Bardem villainous? Sure. Just about anyone that kills should be considered a villain.
But what about Josh Brolin? You can't go against the thought about him stealing the money. Is he any less of a villain by stealing a suitcase filled with money, compared to a guy who kills people? No, not really. Just that Spider-Man would probably find this guy quicker.
And as far as Tommy Lee Jones go, no, he's not a villain. But look throughout the movie, and he considers himself a villain the entire time. Especially within the final moments, where he knows that Bardem is in one of the rooms (and possibly the one he is in). Most cops wouldn't take a chance to capture a ruthless criminal. Plus, if anything is more symbolic than the chance that he has as to capture the criminal, he talks about in the first dream how he lost money. Think of money as something valuable, as the lives of people he was supposed to protect, or even that suitcase of money. The second dream only explains how there is really no country for old men.
I just watched this and I'm afraid I don't see what all the love for it is about.
A few nice shots here or there, but the story wasn't very interesting or original and I felt like I'd seen the same film in a few other different setting over the past 80 years of cinema. As a whole very disappointed. In fact if it hadn't been for TLJones performance, I'd have probably walked out.
I just don't get the love for these kinds of films. None of the characters are believable or have a single redeeming quality what so ever and I don't see the point in glamorising them in films like this. For me it's up there with History of Violence as one of the most overated movies of the past few years.
A few nice shots here or there, but the story wasn't very interesting or original and I felt like I'd seen the same film in a few other different setting over the past 80 years of cinema. As a whole very disappointed. In fact if it hadn't been for TLJones performance, I'd have probably walked out.
I just don't get the love for these kinds of films. None of the characters are believable or have a single redeeming quality what so ever and I don't see the point in glamorising them in films like this. For me it's up there with History of Violence as one of the most overated movies of the past few years.
I can handle the floating heads, sometimes it works, but can we not put the heads above the correct names? Good movie.
Mine would look like: 1. There Will Be Blood 2. Atonement 3. No Country For Old Men
But I haven't read No Country, and I did read Atonement. So I was more impressed with the adaptation of that.
But I haven't read No Country, and I did read Atonement. So I was more impressed with the adaptation of that.
elle_driver wrote: Great movie, not the Coen's best, but it sits somewhere around #5 on my list.
I was fine with the ending until the Tommy Lee Jones spiel in the end, which, as touching as it was, felt kind of out of place for me, and ended the movie on an unsatisfying note as far as I'm concerned.
I think you missed the point of the ending, as it wasn't meant to be touching, but morbidly pessimistic. Did you actually listen to what he said?
I was fine with the ending until the Tommy Lee Jones spiel in the end, which, as touching as it was, felt kind of out of place for me, and ended the movie on an unsatisfying note as far as I'm concerned.
I think you missed the point of the ending, as it wasn't meant to be touching, but morbidly pessimistic. Did you actually listen to what he said?
Great movie, not the Coen's best, but it sits somewhere around #5 on my list.
I was fine with the ending until the Tommy Lee Jones spiel in the end, which, as touching as it was, felt kind of out of place for me, and ended the movie on an unsatisfying note as far as I'm concerned.
I'll get the DVD only for Javier Bardem's performance.
As opposed to other commenters, I was actualy surprised by the amount of extra features on this DVD, considering the Coens' other releases, I was expecting Zodiac 1.0 (without 2.0) all over again.
I was fine with the ending until the Tommy Lee Jones spiel in the end, which, as touching as it was, felt kind of out of place for me, and ended the movie on an unsatisfying note as far as I'm concerned.
I'll get the DVD only for Javier Bardem's performance.
As opposed to other commenters, I was actualy surprised by the amount of extra features on this DVD, considering the Coens' other releases, I was expecting Zodiac 1.0 (without 2.0) all over again.
Just remember how CRASH and BABEL were only released in barebones releases at first, and then later, after they won their respective Academy Awards, they double-dipped them with a slew of special features.
Now calm down.
If anything, complain about the order of people's heads on the cover - unless Josh Brolin got very, very old looking and Tommy Lee Jones has begun growing a moustache. ;-)
Now calm down.
If anything, complain about the order of people's heads on the cover - unless Josh Brolin got very, very old looking and Tommy Lee Jones has begun growing a moustache. ;-)
I usually don't give a damn about floating heads, but why would you do it for this movie? Why would you not put Brolin in the middle? They obviously don't care that the names match up to the respective head. Bardem should not get the biggest focus on this... freakin' cover. It should be like the theatrical poster where he IS the background. Point is, he is the villain in this movie... you don't give him the big middle spot, putting both the heroes in half shadow.
Why is it that posters and DVD covers now all seem to have the names not correspond with the people in the picture? Coudln't they just switch Jones' and Brolin's faces if they absolutely need to bill Jones first? Not for nothing, I really think that Javier Bardem deserves top bill anyway.
2nd Best of 2007 to me (There Will Be Blood is 1st)
Definate purchase, love it.
Definate purchase, love it.
YESSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS!!!!!!!!!!!!!!!11
Kakihara69 wrote: Actually, the Coens have done a double-dip before with The Big Lebowski so it's conceivable that they'd do one for this, arguably their best movie of their careers. Said double dip contained a Jeff Bridges Photo Gallery and a Mortimer Young intro -- not exactly jaw-dropping additions.
And again, it's the Coens themselves who are just not really all that big on the whole DVD special edition thing. Take for example the Universal Blood Simple DVD (now OOP), in which they were asked to do a commentary and instead wrote a feature-length joke commentary for fake film scholar Kenneth Loring. They're just not big on features. David Fincher and Zodiac is the opposite -- Fincher loves to commentate, and spends lots of time being very involved with the special edition process.
And again, it's the Coens themselves who are just not really all that big on the whole DVD special edition thing. Take for example the Universal Blood Simple DVD (now OOP), in which they were asked to do a commentary and instead wrote a feature-length joke commentary for fake film scholar Kenneth Loring. They're just not big on features. David Fincher and Zodiac is the opposite -- Fincher loves to commentate, and spends lots of time being very involved with the special edition process.
I like the film but I think it is overrated. I might buy it eventually when the price drops and/or when a special edition is announced. The artwork is only ok, should have stuck with the poster.
Kakihara69 wrote: Actually, the Coens have done a double-dip before with The Big Lebowski so it's conceivable that they'd do one for this, arguably their best movie of their careers.
I wonder if (or how much) the Coen's, or any director(s), have input on the type of DVD release their films receive? It seems more under the control of the studios and their marketing departments. The obvious bare bones releases (like this one) appear to be just for the masses and to whet the appetites of the true aficionados of the film and/or the medium. Just about everyone one on this forum knows a Special or Collector's edition is in the offing--just like what the studios did for a film like Zodiac.
Anyway, great film by the Coen's (or anybody in '07). Yes, I have strained sentiments about how it ended, but if you look at the reader reviews of Cormac's original work (at Amazon or Audible), you'll easily spot the same dichotomy of views concerning the third act. The Coen's appeared to have followed the book closely. Regardless, the film deserves the accolades coming its way. This has to be one of the favorites for Best Picture and Bardem seems a lock for Supporting Actor. But, I'm sure that discussion is for another thread ;-).
I wonder if (or how much) the Coen's, or any director(s), have input on the type of DVD release their films receive? It seems more under the control of the studios and their marketing departments. The obvious bare bones releases (like this one) appear to be just for the masses and to whet the appetites of the true aficionados of the film and/or the medium. Just about everyone one on this forum knows a Special or Collector's edition is in the offing--just like what the studios did for a film like Zodiac.
Anyway, great film by the Coen's (or anybody in '07). Yes, I have strained sentiments about how it ended, but if you look at the reader reviews of Cormac's original work (at Amazon or Audible), you'll easily spot the same dichotomy of views concerning the third act. The Coen's appeared to have followed the book closely. Regardless, the film deserves the accolades coming its way. This has to be one of the favorites for Best Picture and Bardem seems a lock for Supporting Actor. But, I'm sure that discussion is for another thread ;-).
Amazing film. In my top 5 of 2007. Like a few others I loved the ending but I got into an argument with a co-worker who thought the entire film was ruined by the ending.
No release day purchase for me due to a budget but I'll bluray this as I <3 the Coen bros.
No release day purchase for me due to a budget but I'll bluray this as I <3 the Coen bros.
Definitely getting the Blu-Ray for this one...
Sseriosly! How bloody had is it to put the correct name under the damned floating head?!?
Easily one of the greatest films I've ever seen!
The cover is decent though- definately floating heads done right(why don't the names of Brolin/Jones match up with their faces?), but I'll anxiously await the inevitable double-dip (After I get suckered into buying this that is)!
The cover is decent though- definately floating heads done right(why don't the names of Brolin/Jones match up with their faces?), but I'll anxiously await the inevitable double-dip (After I get suckered into buying this that is)!
mlcm wrote: bollasio1313 wrote: REPLY TO KEVINNASH (*SPOILERS*): I respect how you feel, but I felt that we should have gotten a better look at Brolin's death because he was the character we had been following the whole movie and then he suddenly disappears and reappears dead. That's not fair. But then again, the movie was a bit about how evil prevails in one form or another. So who knows, you're probably right.
Brolin wasn't the main character though. His death is unimportant to the themes of the story.
Spoiler While his character wasn't a main character, his death is mostly important to the themes of the story.
Why does Brolin get killed? Greed. There's nothing more to that. He set himself up when he took the briefcase. Then he went back to go give the guy some water, and there were guys there trying to kill him for the money. It was a wild goose chase with everyone who wanted the money, which of course, is greed.
But the film is fantastic. The best of '007 and the Coen's best movie of their career.
Brolin wasn't the main character though. His death is unimportant to the themes of the story.
Spoiler While his character wasn't a main character, his death is mostly important to the themes of the story.
Why does Brolin get killed? Greed. There's nothing more to that. He set himself up when he took the briefcase. Then he went back to go give the guy some water, and there were guys there trying to kill him for the money. It was a wild goose chase with everyone who wanted the money, which of course, is greed.
But the film is fantastic. The best of '007 and the Coen's best movie of their career.
bollasio1313 wrote: REPLY TO KEVINNASH (*SPOILERS*): I respect how you feel, but I felt that we should have gotten a better look at Brolin's death because he was the character we had been following the whole movie and then he suddenly disappears and reappears dead. That's not fair. But then again, the movie was a bit about how evil prevails in one form or another. So who knows, you're probably right.
Brolin wasn't the main character though. His death is unimportant to the themes of the story.
Brolin wasn't the main character though. His death is unimportant to the themes of the story.
I thought this movie was good, but really confusing and that ending....
And they should have kept the theatrical poster as its cover art.
And they should have kept the theatrical poster as its cover art.
I like the poster a lot more, but it's an okay cover. This is the second blu ray movie I'll buy, I said Sunshine would be the only thing I would get on blu but...
awesome
more floating heads?
GOSH FOCKING DAMMIT!
GOSH FOCKING DAMMIT!
Blu buy for me!
DrewPLP wrote: Obviously a bare-bones edition. I'll wait for the special edition, which will be a definate buy because this was by far one of the best films of the year.
I agree. Will be waiting for the SE. Excellent film nontheless
I agree. Will be waiting for the SE. Excellent film nontheless
REPLY TO KEVINNASH (*SPOILERS*): I respect how you feel, but I felt that we should have gotten a better look at Brolin's death because he was the character we had been following the whole movie and then he suddenly disappears and reappears dead. That's not fair. But then again, the movie was a bit about how evil prevails in one form or another. So who knows, you're probably right.
Actually, the Coens have done a double-dip before with The Big Lebowski so it's conceivable that they'd do one for this, arguably their best movie of their careers.
AAAARRRRRGGGHHH!!! FLOATING HEAD SYNDROME!!!!!!!!!!!!!!!!!!!!!
I hate how Brolin and Lee Jones names are not under their respective floating head. CAN WE END THIS FLOATING HEAD FAD?
Probably my favorite movie of the year, and it certainly has the best ending.
The artwork is just alright. it could have been worse, but it also could have been a lot, lot better.
Also, why can't they just match the names up with the damn heads. Is it really so difficult to put Josh Brolin's name under his picture, and vice versa? I've never understood this.
bollasio1313 wrote: *SPOILERS*
After Brolin was killed off (in a very c**ppy way), I lost complete interest because he was the only real character I cared about. I liked what happened to Bardem's character though. But the ending was just bleh.
*END SPOILERS*
No purchase for me.
**SPOILER CONTINUED**
What would you have preffered?
My dad felt the same way, that Brolin's death wasn;t rewarding enough. Why does everything need to be presented to an audience in a neat, perfectly blatant fashion? Why can't things be implied? Why can't we, as an audience, be left out of things, and be left to draw our own conclusions, or just put two and two together?
I thought the scene was done perfectly.
The artwork is just alright. it could have been worse, but it also could have been a lot, lot better.
Also, why can't they just match the names up with the damn heads. Is it really so difficult to put Josh Brolin's name under his picture, and vice versa? I've never understood this.
bollasio1313 wrote: *SPOILERS*
After Brolin was killed off (in a very c**ppy way), I lost complete interest because he was the only real character I cared about. I liked what happened to Bardem's character though. But the ending was just bleh.
*END SPOILERS*
No purchase for me.
**SPOILER CONTINUED**
What would you have preffered?
My dad felt the same way, that Brolin's death wasn;t rewarding enough. Why does everything need to be presented to an audience in a neat, perfectly blatant fashion? Why can't things be implied? Why can't we, as an audience, be left out of things, and be left to draw our own conclusions, or just put two and two together?
I thought the scene was done perfectly.
i love everything about this film (particularly the ending). i might have to hold out though, because all the hype it's getting leads me to believe that there's gonna be a special edition not too far away (even though that's unusual for a coen bros movie).
I haven't seen this, but I want to. I don't really like the cover art though. Floating heads just aren't my thing, unless they're done well, and in this case... not so much.
*SPOILERS*
After Brolin was killed off (in a very c**ppy way), I lost complete interest because he was the only real character I cared about. I liked what happened to Bardem's character though. But the ending was just bleh.
*END SPOILERS*
No purchase for me.
After Brolin was killed off (in a very c**ppy way), I lost complete interest because he was the only real character I cared about. I liked what happened to Bardem's character though. But the ending was just bleh.
*END SPOILERS*
No purchase for me.
I wish they used the theatrical poster art. It is better than the DVD art by far.
so i doubt the coen brothers will double-dip this one cuz they never do.....
Hmm....double-dip special edition after it wins Best Picture? maybe, no?
Can't add much more praise to this masterpiece but that ending has haunted me since watching the film and this film is an existential nightmare and that final scene is a revelation.
Can't add much more praise to this masterpiece but that ending has haunted me since watching the film and this film is an existential nightmare and that final scene is a revelation.
Squeek81, I agree with you.
Woody Harrelson must be buddies with the Coen Brothers because his character did absolutely nothing in this film. And I do appreciate films that feel they don't have to tie up all the loose ends but the ending to this movie was just odd. The last ten minutes seemed really rushed.
Woody Harrelson must be buddies with the Coen Brothers because his character did absolutely nothing in this film. And I do appreciate films that feel they don't have to tie up all the loose ends but the ending to this movie was just odd. The last ten minutes seemed really rushed.
The film is quite brilliant. Best film of 2007, without a doubt. And it reaffirmed my faith in the Coen brothers. Decent artwork. The only part of it I would change is I would take out the truck. It's unnecessary.
Truly a good film, will most likely pick it up on Blu. Can Javier Bardem get any more uglier than that on the cover art?
Artwork added
This was a great film. Truly one of the best films of 2007. But I have to say the third act was definitely weak when compared to the rest of the film.
Jurgie1979 wrote: I'm baffled by the negative reaction so many people are expressing towards the existential turn the film takes in the 3rd act. This is what elevates it from a genre picture to something truly great and memorable.
Hands-down the best film of the year. No contest. One of the very best films in ten, or twenty, years. Period.
The 11th of March can't come soon enough.
Yeah, most people just can't handle things not tied up in a neat little package. They don't want to have to think about it afterwards.
Hands-down the best film of the year. No contest. One of the very best films in ten, or twenty, years. Period.
The 11th of March can't come soon enough.
Yeah, most people just can't handle things not tied up in a neat little package. They don't want to have to think about it afterwards.
DrewPLP wrote: Obviously a bare-bones edition. I'll wait for the special edition, which will be a definate buy because this was by far one of the best films of the year.Yeah as another poster said the Coen Brothers don't really do elaborate special editions, so I wouldn't hold my breath. Of their 11 movies they've only recorded one commentary track and rarely do their DVDs feature more than EPK material, outtakes, and deleted scenes.
Excellent film. Stellar acting. Horrendously bad ending.
Great movie, very creepy bad guy. The ending fit the movie perfectly. Especially in the context of Tommy Lee's last speech. The only problem I had with the movie was woody harrelson's character. Served no purpose except to give some background information on the bad guy and didnt advance the plot at all. SOLD!
I'm baffled by the negative reaction so many people are expressing towards the existential turn the film takes in the 3rd act. This is what elevates it from a genre picture to something truly great and memorable.
Hands-down the best film of the year. No contest. One of the very best films in ten, or twenty, years. Period.
The 11th of March can't come soon enough.
Hands-down the best film of the year. No contest. One of the very best films in ten, or twenty, years. Period.
The 11th of March can't come soon enough.
All righty then...
Do the Cohen's do special editions?
Obviously a bare-bones edition. I'll wait for the special edition, which will be a definate buy because this was by far one of the best films of the year.
Hmm I thought this was a paramount release? I guess not as I'm going to get a PS3 I guess I'll get the blu version.
Three featurettes?? That's it?
I was hoping "the ending" would feature as an extra.

