Curious Case of Benjamin Button (US - DVD R1)
Paramount Home Entertainment sends over artwork for the films 1-disc release
Title: Curious Case of Benjamin Button (IMDb)
Starring: Brad Pitt
Released: 5th May 2009
SRP: $39.99 (DVD)
Further Details:
Paramount Home Entertainment has announced 1-disc DVD ($29.99) and 2-disc DVD ($39.99) releases of The Curious Case of Benjamin Button for the 5th May. As far as we know, no extra material will be included on the 1-disc DVD. The 2-disc DVD and Blu-ray releases will include commentary by director David Fincher, and a 4-part The Curious Birth of Benjamin Button documentary which covers the casting of Brad Pitt and Cate Blanchett, the decision to change the location of the story to New Orleans, costumes, visual effects, and more. We've attached our first look at the official package artwork below:


News by Tom Woodward
Starring: Brad Pitt
Released: 5th May 2009
SRP: $39.99 (DVD)
Further Details:
Paramount Home Entertainment has announced 1-disc DVD ($29.99) and 2-disc DVD ($39.99) releases of The Curious Case of Benjamin Button for the 5th May. As far as we know, no extra material will be included on the 1-disc DVD. The 2-disc DVD and Blu-ray releases will include commentary by director David Fincher, and a 4-part The Curious Birth of Benjamin Button documentary which covers the casting of Brad Pitt and Cate Blanchett, the decision to change the location of the story to New Orleans, costumes, visual effects, and more. We've attached our first look at the official package artwork below:


News by Tom Woodward
Advertisements
Phil92
Member
Join Date: January 2008
Location: United Kingdom
Posts: 754
That there is some bad art.
Report
Quote
| Reply
The Criterion Collections is really releasing this? I thought they only bought the rights to classic and important films? While this movie was good, it was neither classic nor important.
Phil92 wrote: That there is some bad art.
You kidding? Its very classy. I hope the Blu edition looks the same way.
You kidding? Its very classy. I hope the Blu edition looks the same way.
Cannot believe this will be a Criterion release. It was WAY overrated.
roadogg31 wrote: I thought they only bought the rights to classic and important films? While this movie was good, it was neither classic nor important.
Aside from perhaps Michael Bay, I'm not sure many people felt Armageddon or The Rock were classic/important. And, while they were good, The Royal Tenenbaums and Rushmore hardly classified as important. Yet, they've all got the Criterion stamp.
Aside from perhaps Michael Bay, I'm not sure many people felt Armageddon or The Rock were classic/important. And, while they were good, The Royal Tenenbaums and Rushmore hardly classified as important. Yet, they've all got the Criterion stamp.
Very excited about this release. Fincher has gone two years in a row getting shafted (with Zodiac receiving ZERO Oscar nominations, and Benjamin Button not receiving the wins it deserved). Glad to see Criterion has some sense.
I think that "Zodiac" didn't get nominated for anything because the Academy was saving it all for Benjamin Button, which turned out to be true, seeing the film getting like 13 nominations. Sadly, BB didn't turn out to be good as people thought it would be. "Zodiac" was the better film and is still, by far, David Fincher's best film to date. It's sad it didn't get a nomination.
The lesson here is never to aim to make a great movie before locking in the framework for a good one. To aim for greatness otherwise invites all kinds of risks - the possibility of reaching high and crashing, of mistaking the somber for the serious, of creating the form of greatness without the content. In short, there's the danger of making something as pretty and vacant as "The Curious Case of Benjamin Button."
Visually, the film, from director David Fincher, is flawless. The story begins in 1918 and extends into present day, and, at every point, the art direction and clothing meticulously re-create the respective eras. The digital cinematography subtly evokes earlier photography. The stars are major and Oscar ready. In every way, the movie looks like somebody's idea of a great movie, just as its length - 167 minutes - proclaims its importance. But the proclamation is untrue, and all the trappings are in the service of a story that's emotionally false and fundamentally unimportant.
Visually, the film, from director David Fincher, is flawless. The story begins in 1918 and extends into present day, and, at every point, the art direction and clothing meticulously re-create the respective eras. The digital cinematography subtly evokes earlier photography. The stars are major and Oscar ready. In every way, the movie looks like somebody's idea of a great movie, just as its length - 167 minutes - proclaims its importance. But the proclamation is untrue, and all the trappings are in the service of a story that's emotionally false and fundamentally unimportant.
The one Fincher movie I hate gets the Criterion treatment!!!???
I love that artwork. Great film, count me in for the 2-disc Criterion DVD.
I'll probably blind buy this one for me and my sister.
GRJR721 wrote: The lesson here is never to aim to make a great movie before locking in the framework for a good one. To aim for greatness otherwise invites all kinds of risks - the possibility of reaching high and crashing, of mistaking the somber for the serious, of creating the form of greatness without the content. In short, there's the danger of making something as pretty and vacant as "The Curious Case of Benjamin Button."
Visually, the film, from director David Fincher, is flawless. The story begins in 1918 and extends into present day, and, at every point, the art direction and clothing meticulously re-create the respective eras. The digital cinematography subtly evokes earlier photography. The stars are major and Oscar ready. In every way, the movie looks like somebody's idea of a great movie, just as its length - 167 minutes - proclaims its importance. But the proclamation is untrue, and all the trappings are in the service of a story that's emotionally false and fundamentally unimportant.
GRJR721, my sentiments exactly.
Visually, the film, from director David Fincher, is flawless. The story begins in 1918 and extends into present day, and, at every point, the art direction and clothing meticulously re-create the respective eras. The digital cinematography subtly evokes earlier photography. The stars are major and Oscar ready. In every way, the movie looks like somebody's idea of a great movie, just as its length - 167 minutes - proclaims its importance. But the proclamation is untrue, and all the trappings are in the service of a story that's emotionally false and fundamentally unimportant.
GRJR721, my sentiments exactly.
I thought it was pretty good, but I'm not sure if it warrants a Criterion edition. I may see it once more to decide if I want to buy it or not.
Awesome that this flick is getting a Criterion release, but they need to step it up on that box art. If that is released like that, then it'll be the worst Criterion cover art.
Vipper wrote: roadogg31 wrote: I thought they only bought the rights to classic and important films? While this movie was good, it was neither classic nor important.
Aside from perhaps Michael Bay, I'm not sure many people felt Armageddon or The Rock were classic/important. And, while they were good, The Royal Tenenbaums and Rushmore hardly classified as important. Yet, they've all got the Criterion stamp.
Good point. I would then have to say that I have no idea what the criteria are for the Criterion Collection. That, or CC dropped the ball on these films. I disagree with your assessment on Rushmore though. I thought that was pretty important for who is turning out to be an important director. Maybe CC had the same rationale with David Fincher, but Zodiac as an entire film was better and much stronger than Benjamin Button.
Aside from perhaps Michael Bay, I'm not sure many people felt Armageddon or The Rock were classic/important. And, while they were good, The Royal Tenenbaums and Rushmore hardly classified as important. Yet, they've all got the Criterion stamp.
Good point. I would then have to say that I have no idea what the criteria are for the Criterion Collection. That, or CC dropped the ball on these films. I disagree with your assessment on Rushmore though. I thought that was pretty important for who is turning out to be an important director. Maybe CC had the same rationale with David Fincher, but Zodiac as an entire film was better and much stronger than Benjamin Button.
I didnt catch this in theaters and think it sounds very interesting. 2-Disc blind buy for me
Wow, I wasn't aware that Criterion snagged the DVD and Blu-ray release rights to this.......I'd have thought Se7en or Fight Club would get the Criterion treatment before Benjamin Button.
I must be one of the few people who absolutely loved this movie. Huh.
I'm definitely in the "overrated" camp on this one ... I was bored through most of it. The art is "eh" ... you'd think they could have come up with something more creative for the original poster art that inspired it.
slapshot63 wrote: I must be one of the few people who absolutely loved this movie. Huh.
You're not the only one. It does require time and patience to sit through, but I thought Fincher really imbued this movie with a sense of magic. His previous works were good (I think "Fight Club" is a tremendously overrated piece of s**t though), but I really enjoyed this one.
I was absolutely floored that Criterion is releasing a 2-disc edition -- I was initially considering buying the single-disc edition if it was a regular Paramount/Warners/Fox "more money" tactic. The 2-disc edition is so mine come May 5th.
You're not the only one. It does require time and patience to sit through, but I thought Fincher really imbued this movie with a sense of magic. His previous works were good (I think "Fight Club" is a tremendously overrated piece of s**t though), but I really enjoyed this one.
I was absolutely floored that Criterion is releasing a 2-disc edition -- I was initially considering buying the single-disc edition if it was a regular Paramount/Warners/Fox "more money" tactic. The 2-disc edition is so mine come May 5th.
Very overrated movie. The first 45 minutes and the last 45 minutes are the best parts of the movie. The middle portion, boring. Sadly, I'll have to own this one day when I start collecting every Criterion DVD.
I can't help but think of the Assasination of Jesse James cover when I see this one, minus some facial hair of course.
I really enjoyed Benjamin Button. I agree with mc_serenity feeling a sense of magic watching it, reminiscent of a film Spielberg might make. I'm not ashamed to admit I welled up on occasion during it. I will definitely get this at some point.
Does anyone expect a Zodiac like double dip with this? From the looks of the features I don't think so myself.
I really enjoyed Benjamin Button. I agree with mc_serenity feeling a sense of magic watching it, reminiscent of a film Spielberg might make. I'm not ashamed to admit I welled up on occasion during it. I will definitely get this at some point.
Does anyone expect a Zodiac like double dip with this? From the looks of the features I don't think so myself.
Jeyl's opinion on the cover art:
Ladies and gentlemen, the lifeless stares of Brad Pitt and Cate Blanchett! Ya, that's my idea of a great cover art.
Ladies and gentlemen, the lifeless stares of Brad Pitt and Cate Blanchett! Ya, that's my idea of a great cover art.
YES. Great cover art. Definitely definitely buying the criterion.
so the 1-disc will be from Paramount and the 2-disc DVD and Blu-Ray will be from Paramount/Criterion? do I have this right?
Vipper wrote: roadogg31 wrote: I thought they only bought the rights to classic and important films? While this movie was good, it was neither classic nor important.
Aside from perhaps Michael Bay, I'm not sure many people felt Armageddon or The Rock were classic/important. And, while they were good, The Royal Tenenbaums and Rushmore hardly classified as important. Yet, they've all got the Criterion stamp.
as far as I'm concerned it's whatever movies they want to release in their own Criterion catalogue. If a movie has a Criterion stamp most people I know would generally think that they will be getting a quality movie. They represent fine cinema imo, but ultimately it is up to them what films they want to give a spine number to. Yes, some odd choices are in in their catalogue for sure (The Rock, Armageddon). Yet I enjoyed those movies, so I don't have any problems with them being selected. I guess it boils down to the buyer and if he/she enjoyed the movie that determines and earned spine number and Criterion stamp.
Vipper wrote: roadogg31 wrote: I thought they only bought the rights to classic and important films? While this movie was good, it was neither classic nor important.
Aside from perhaps Michael Bay, I'm not sure many people felt Armageddon or The Rock were classic/important. And, while they were good, The Royal Tenenbaums and Rushmore hardly classified as important. Yet, they've all got the Criterion stamp.
as far as I'm concerned it's whatever movies they want to release in their own Criterion catalogue. If a movie has a Criterion stamp most people I know would generally think that they will be getting a quality movie. They represent fine cinema imo, but ultimately it is up to them what films they want to give a spine number to. Yes, some odd choices are in in their catalogue for sure (The Rock, Armageddon). Yet I enjoyed those movies, so I don't have any problems with them being selected. I guess it boils down to the buyer and if he/she enjoyed the movie that determines and earned spine number and Criterion stamp.
1-disc artwork added
GRJR721 wrote: The lesson here is never to aim to make a great movie before locking in the framework for a good one. To aim for greatness otherwise invites all kinds of risks - the possibility of reaching high and crashing, of mistaking the somber for the serious, of creating the form of greatness without the content. In short, there's the danger of making something as pretty and vacant as "The Curious Case of Benjamin Button."
Visually, the film, from director David Fincher, is flawless. The story begins in 1918 and extends into present day, and, at every point, the art direction and clothing meticulously re-create the respective eras. The digital cinematography subtly evokes earlier photography. The stars are major and Oscar ready. In every way, the movie looks like somebody's idea of a great movie, just as its length - 167 minutes - proclaims its importance. But the proclamation is untrue, and all the trappings are in the service of a story that's emotionally false and fundamentally unimportant.
I hope your name is Mick LaSalle, because if it's not you're a plagiarist.
Visually, the film, from director David Fincher, is flawless. The story begins in 1918 and extends into present day, and, at every point, the art direction and clothing meticulously re-create the respective eras. The digital cinematography subtly evokes earlier photography. The stars are major and Oscar ready. In every way, the movie looks like somebody's idea of a great movie, just as its length - 167 minutes - proclaims its importance. But the proclamation is untrue, and all the trappings are in the service of a story that's emotionally false and fundamentally unimportant.
I hope your name is Mick LaSalle, because if it's not you're a plagiarist.
Vipper wrote: Aside from perhaps Michael Bay, I'm not sure many people felt Armageddon or The Rock were classic/important.
Simple. They are examples of big-budget, popcorn-munching, Hollywood blockbuster entertainment. This has been mentioned before. Also, to a lesser extent, I guess because Michael Bay films have a certain look.
Simple. They are examples of big-budget, popcorn-munching, Hollywood blockbuster entertainment. This has been mentioned before. Also, to a lesser extent, I guess because Michael Bay films have a certain look.
B B wrote: so the 1-disc will be from Paramount and the 2-disc DVD and Blu-Ray will be from Paramount/Criterion? do I have this right?
Yes. The Criterion edition will also include the same audio and subtitle options (English, Quebecois-French and Latin Spanish) as the Paramount-distributed single-disc edition. Unless the press release misworded it, of course.
Yes. The Criterion edition will also include the same audio and subtitle options (English, Quebecois-French and Latin Spanish) as the Paramount-distributed single-disc edition. Unless the press release misworded it, of course.
This movie was very overrated. It was an enjoyable experience, but if you already see it once, it's not as enticing and it just becomes boring because you already know everything about Button's life story. I'm not saying the film is terrible, it's just overrated. The 1-disc artwork is okay but if they stuck with just the two floating heads and the title.




