Dredd (UK - BD RB)
Marcus kicks off the New Year by getting stuck in a Megablock with a Judge....
Feature
Judge Dredd (Karl Urban) and his rookie in training Judge Anderson (Olivia Thirlby) are called out to the Peach Tree Megablock after three people are murdered. Soon after their arrival and the arrest of a local thug, the crime boss of the Megablock, Madeline Madrigal, also known as "Ma-Ma" (Lena Headey) locks down the entire 200 floor block and says she’s not opening up again until the two judges are killed. Times are dire for the two law enforcers but one of those Judges is Judge Dredd and he’s not so easy to take out.

Last year Dredd proved to be somewhat of an antidote to the comic book hero movies that just keep on getting bigger and bigger. Dredd did what the Wolverine franchise needs to consider doing and kept things downsized. A simple premise, a limited cast and a gritty, violent approach that services the lead character's origins rather than hollows him out for mass consumption.
Of course, there’s nothing all that original here. This really is the same plot that most video games serve up every couple of months. Enclosed space. Weapons options. Increasingly more difficult foes as you work up the levels. It’s all typical stuff but when you throw Judge Dredd in to the mix, played by a perfectly grimacing Karl Urban this elevates into something way more fun than the basics would usually deliver.

Elevation is genuinely the key here. As the characters get higher up the Megablock everything seems to grow more and more extreme. Gunfire, blood sprays, gore, Ma Ma’s madness and just extreme amounts of destruction. Everything builds and builds but still there’s time for quiet moments between waves to fill out the world of Mega City One. Sure, it’s not exactly much in the way of set up and backstory for newbies to Judge Dredd but there’s enough to paint a bigger simple picture of his world and just how hard edged it is to warrant people like Judge Dredd to enforce the law.
Director Pete Travis has kept everything streamlined. We know the odds very early on. We know what’s at stake. We know Dredd has to look out for Anderson as she grows a backbone and we know Ma Ma is badass enough to throw all she can at the judges in order to come out of this one the victor. The real success here however is that Travis uses all of this to sell exactly how tough and driven Dredd is at every turn. Every set piece celebrates the 2000AD character like we've never seen on the big screen and it all works. Travis even pulls off the impossible and never has a single frame of Dredd out of his helmet. Karl Urban never really get much more to do that scowl but he does it well and Dredd comes out of this movie a hero I’d like to see again in sequels.

Video
Well there’s talk the 2D presentation is very much a different experience on this disc than the 3D one, something I can’t confirm as 3D is not an option for me with my set up. So, solely commenting on the 2D version I would call this a bit of a mish mash visuals wise.
To begin with, when the scenes are well lit, the colours and the textures are really quite great. Dinks and scratches on Dredd’s helmet look fantastic as does the stubble on his chin and many a set pops with neon lighting and other well placed light sources. The Slo-Mo drug induced scenes pop with vivid colour and really play with images beautifully for an HD presentation but… and this is a big old but, every now and again this Blu-ray can look awful.
It begins with a real sense of heightened grain or indeed digital noise. It’s sometimes quite filmic and fitting for the style of the movie but at other times it’s like a veil has been placed over the screen. This mutes colours, dirties light sources and turns every deep black into a grubby dark green or blue. When this drop in quality occurs at its worst, it’s luckily only for a very short time before we pop back into a much better looking portion of a scene but between the low lighting, boosted with neon oranges, blues and reds there is a distinct murky feel to a lot of the corridors of this Megablock.
Lastly, and I'm not sure if this really is happening or not but I would say a handful of scenes have that 3D to 2D look to them. Y’know like how Jaws 3 looks like on DVD. It has a sense there’s still some edge touches on certain things to aid the 3D effects even though its a 2D presentation. This is most noticeable in the Slo-mo drug fuelled scenes and is more than likely intentional given the trippy visuals but I found it sometimes even occurred in well lit scenes with the judges. Very soft, often duel layered edges to things turn up, especially when heavily lit and it really did give that 3D tampered look to things. As I say, I'm not sure if it is anything to do with the 3D effects at all and it certainly doesn't let this presentation down in any real way but I did notice it and felt it needed mentioning.

Audio
And the award for aggressive bass 2012 goes to… Dredd! Goddamn the bass on this DTS-Master Audio track is relentless and I have to say it’s all in great ways. It almost becomes a supporting role as it lends so much to the film. Everything from the score to simply Dredd walking has a bass boost that will kick the hell out of you and it seems to be used throughout the film, even when you least expect it.
The bassy underpinning score gives the film a constant presence and when it’s not setting a mood, Dredd’s bike is rumbling in wonderful ways, guns are tearing up the Megablock or there are scenes filled out with the heavy end of dance music or crowd ambience, just to keep everything feeling like a heartbeat to the rawness of the film.
Because of all the bass and general boost to most things dialogue can sometimes feel a little bit low in quieter conversations but it’s certainly not a consistent thing as non whispered dialogue is generally strong and clear.

Extras
Both the 2D and 3D versions are found on this disc which is great but sadly, most of the extras felt like they were going to be great but ended up being far too short. ‘Dredd 2000AD The Original’ (03:28 HD) is a short featurette covering the history of Judge Dredd. ‘Slo-mo’ (02:12 HD) shows the ideas behind the drug induced visuals and the super slo-mo effect generated in the film. ‘Welcome to Peachtrees’ (02:34 HD) is a look at Mega City One's Megablocks. ‘The 3rd Dimension’ (02:00 HD) tackles the approach to the hyper stylised 3D in the film as well as the approach to added depth. ‘Dredd's Gear’ (02:32 HD) showsus the making of Dredd’s costume and the last of the short featurettes is ‘Dredd’ (01:52 HD) an EPK style overview of the film.
The biggest chunk on the extras are the ‘Interviews’ (26:35 HD), which are with all involved in the project. It’s a shame they are cobbled together with static question cards and bland talking head answers.
There’s also a selection of other trailers in the ‘Previews’ section and of course a DVD copy for the kids included as well.

Overall
Dredd maybe wasn’t quite as hard hitting this second time as it was the first time I saw it but even with that said, there’s a whole lot to enjoy here. Urban does Judge Dredd some real justice, the story is simple and to the point and extremely violent compared to the other comic book movies out there and really this ninety odd minute fight to get to the boss shootfest is exactly what the doctor ordered to kick the Judge Dredd franchise off to a good start. I really do hope sequels are enabled after this first outing and it would be good to see the world of Dredd expanded to all the places the comics go. The disc itself is great for the most part but a little chaotic in the visuals department and thin on real extras. That said the punchy audio set up should keep most happy as it captures the large cinematic oomph very well indeed.
* Note: The above images are taken from the Blu-ray release and resized for the page. Full-resolution captures are available by clicking individual images, but due to .jpg compression they are not necessarily representative of the quality of the transfer.
Review by Marcus Doidge
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Existing Posts
Definitely only the one 'encode', by which I mean there are two video files - one for the left eye and one for the right eye. When you select 2D it just shows the left eye stream.
Missed the film theatrically and wasn't bothered about seeing it in 3D which seemed to be the only option near me. Not a comic book reader but was interested to see how the approach to this would differ from the Stallone version. Verdict, it's fine. The producers have kept it simple and delivered on what they set out to achieve. Was expecting tonnes of gore as gore seemed to be the go-to phrase in some reviews. Didn't find it overly gory. Maybe due to the fact that the cgi gore is so stylised in 'slo-mo', it removes it enough from reality.
On the UK BD, the extras are the worst kind of perfunctory, 'chopped up in to 2 minute chunks', bobbins I've seen in a while.
Also, on the BD menu, maybe I'm being a bit thick, but it doesn't make it that clear as to whether you've selected the 2D or 3D version. I don't have the means to display 3D but theoretically, my PS3 can play it. When you go to play the film, it has a pop out box with 2D/3D highligted respectively in red and green. When you move left or right, the red/green switch places. Now here's where I'm a bit unsure (or thick). How do I know which colour means which when I select it? I ended up having to assume that if I swapped the colours so that green was over the 2D, and pressed OK, that I was going to see the 2D encode.
However, to muddy the waters further, when I selected what I took to be the 3D version, it seemed to look the same as the 2D. Does anyone know if it makes any difference at all, which version you select if you're playing back on a 2D set up or if there are in fact two different encodes on the UKBD?
On the UK BD, the extras are the worst kind of perfunctory, 'chopped up in to 2 minute chunks', bobbins I've seen in a while.
Also, on the BD menu, maybe I'm being a bit thick, but it doesn't make it that clear as to whether you've selected the 2D or 3D version. I don't have the means to display 3D but theoretically, my PS3 can play it. When you go to play the film, it has a pop out box with 2D/3D highligted respectively in red and green. When you move left or right, the red/green switch places. Now here's where I'm a bit unsure (or thick). How do I know which colour means which when I select it? I ended up having to assume that if I swapped the colours so that green was over the 2D, and pressed OK, that I was going to see the 2D encode.
However, to muddy the waters further, when I selected what I took to be the 3D version, it seemed to look the same as the 2D. Does anyone know if it makes any difference at all, which version you select if you're playing back on a 2D set up or if there are in fact two different encodes on the UKBD?
It's strange how the UK release gets nearly 30 minutes of talking head interviews and a seriously cut down origins Featurette. The US edition gets a 15 minute origin version?
Does anyone think this is due in part to Dredd being a UK creation?
Does anyone think this is due in part to Dredd being a UK creation?
I've been waiting patiently for the 2D BR (I missed it at the cinema because the 2D showings were seriously limited, plus 3D gives me appalling headaches!). So, it's disappointing to hear the picture quality is questionable
Might just buy the cheaper DVD and watch it upscaled in my BR player if that's the case.
I can't comment on the 3D because I've not seen it. As such I can't say whether it actually is any better then the 2D, but that seems to be the general consensus from reviewers elsewhere. What I will say is that I wasn't particularly impressed with the visuals when I watched it in 2D and I thought the audio was too aggressive, often overpowering the dialogue. It's not terrible, but neither is it demo-worthy in my opinion.
I honestly don't understand how it can look worse in 2D than 3D......
What has happened..? Is it a problem with the actual print ( I only managed to see the 3D version and I am by no means a 3D fan, it's just that I couldn't find a 2D showing anywhere near me) so I don't have a frame of reference or is it an issue with the transfer by the studio...?
Either way i'm disappointed and as I currently do not have any 3D equipment, I won't be buying, also it's a shame as the revenue from the home releases is sorely needed in order to try to make it's money back.
And then I read this from Gabe..............
What’s interesting about this transfer is the look of analogue as filtered through digital lenses. Travis and cinematographer Anthony Dod Mantle take major steps to recreate the grainy, dirty look of a ‘70s B-actioneer shot on film. When I saw the film in theaters, I actually assumed that the texture I was seeing was an issue with the projection screen, but now I see that it was an intended part of the image. This texture does look an awful lot like film grain, but is clearly digital noise and it runs consistently over the entire transfer. There are a couple of shots where the noise turns to blocking, specifically between some of the green and red blends. If I didn’t know this was part of the intended look, I’d probably mark this as a problem for the transfer. There isn’t an excess of fine detail in the extreme close-ups, but the complexity of element separation on wider shots is very impressive, especially scenes that set up the geography of Peach Trees. The colour palette is pretty consistent throughout the film. The basic key hues are the blue and red of the Judge uniforms, the gold of Anderson’s hair, and an overriding sickly green wash. Skin tones are surprisingly natural, even with all the green and red shading. The 3D staging is obviously flatter in 2D, but the weird compositions aren’t lost and the harsh foreground, middleground, background divide is well-maintained whenever the focus is pulled sharply. The only thing that falls noticeably short in 2D is the digital gore, which doesn’t really blend with the real stuff around it. The sparkly stuff that accompanies the SloMo sequences looks super-sharp, though.
Confused.......? I am.
What has happened..? Is it a problem with the actual print ( I only managed to see the 3D version and I am by no means a 3D fan, it's just that I couldn't find a 2D showing anywhere near me) so I don't have a frame of reference or is it an issue with the transfer by the studio...?
Either way i'm disappointed and as I currently do not have any 3D equipment, I won't be buying, also it's a shame as the revenue from the home releases is sorely needed in order to try to make it's money back.
And then I read this from Gabe..............
What’s interesting about this transfer is the look of analogue as filtered through digital lenses. Travis and cinematographer Anthony Dod Mantle take major steps to recreate the grainy, dirty look of a ‘70s B-actioneer shot on film. When I saw the film in theaters, I actually assumed that the texture I was seeing was an issue with the projection screen, but now I see that it was an intended part of the image. This texture does look an awful lot like film grain, but is clearly digital noise and it runs consistently over the entire transfer. There are a couple of shots where the noise turns to blocking, specifically between some of the green and red blends. If I didn’t know this was part of the intended look, I’d probably mark this as a problem for the transfer. There isn’t an excess of fine detail in the extreme close-ups, but the complexity of element separation on wider shots is very impressive, especially scenes that set up the geography of Peach Trees. The colour palette is pretty consistent throughout the film. The basic key hues are the blue and red of the Judge uniforms, the gold of Anderson’s hair, and an overriding sickly green wash. Skin tones are surprisingly natural, even with all the green and red shading. The 3D staging is obviously flatter in 2D, but the weird compositions aren’t lost and the harsh foreground, middleground, background divide is well-maintained whenever the focus is pulled sharply. The only thing that falls noticeably short in 2D is the digital gore, which doesn’t really blend with the real stuff around it. The sparkly stuff that accompanies the SloMo sequences looks super-sharp, though.
Confused.......? I am.
I love this movie. I can't wait to buy it.
I see. :-(
On the bright side, I'm saving on postage fees.
On the bright side, I'm saving on postage fees.
It's exactly the same. It's only been getting good reviews for the 3D version; the 2D presentation has been noted as problematic.
Any idea if the UK transfer is the same as the US transfer?
Because that one has been getting great reviews for its video (although many have pointed out that there is something unusual about it) and if EIV have b*****ked the UK transfer I may just import.
Dredd is my favourite film of 2012. After suffering through The Avengers (while I understand fan love for it I'm flummoxed by the critical reaction) and The Dark Knight Rises, Dredd was a wonderful antidote that proved action films don't need near three hours to pretend to be smart.
Because that one has been getting great reviews for its video (although many have pointed out that there is something unusual about it) and if EIV have b*****ked the UK transfer I may just import.
Dredd is my favourite film of 2012. After suffering through The Avengers (while I understand fan love for it I'm flummoxed by the critical reaction) and The Dark Knight Rises, Dredd was a wonderful antidote that proved action films don't need near three hours to pretend to be smart.


Suitable only for persons of 18 years and over
Disc Details
Release Date:
14th January 2013
Discs:
1
Disc Type:
Blu-ray Disc
RCE:
No
Video:
1080p
Aspect:
2.40:1
Anamorphic:
No
Colour:
Yes
Audio:
DTS-HD Master Audio 5.1 English
Subtitles:
English
Extras:
Featurettes, Interviews, Previews
Easter Egg:
No
Feature Details
Director:
Pete Travis
Cast:
Karl Urban, Olivia Thirlby, Wood Harris, Lena Headey
Genre:
Action and Adventure
Length:
95 minutes


