Grudge, The (UK - DVD R2)
The Grudge, the first film from Sam Raimi’s newly established Ghost House Pictures finally arrives on R2 DVD. Read on for mo...
The Grudge, the first film from Sam Raimi’s newly established Ghost House Pictures finally arrives on R2 DVD. There have been a great many genuine horror films over the years, but sadly the twenty-first century has yet to pull off an Exorcist or even a Sixth Sense. Written and directed by Takashi Shimizu, who also, incidentally, penned and helmed the original Japanese version Ju-On, unfolds the book of oldschool chills in this hugely successful box office smash.

Film
Karen Davis (Sarah Michelle Gellar of Buffy the Vampire Slayer fame) is a lovable American nurse living and working in Tokyo with her boyfriend. When she agrees to stand in for somebody who never showed for work, Karen finds herself in a strange, dishevelled house caring for an elderly woman. Whilst tending to the woman, odd things begin to happen, and sooner or later Karen is faced with horrifying supernatural odds and a devastating evil is unleashed. Helplessly, and without warning, Karen unveils the secrets of the house and learns of a curse she realises she must stop before it’s too late.
Think of The Grudge as a kind of twisted, screwed up and downright horrifying retelling of Lost in Translation. The subtle mood is there, so is the busyness of Tokyo. All you need to do is remove Bill Murray, replace him with Sarah Michelle Gellar, throw in some pale-looking Japanese zombies and a few death scenes and away you go.
Actually, this remake of the cult Japanese favourite happens to be pretty good. Perhaps this is in part down to the inspired choice of roping back Ju-On writer/director Takashi Shimizu instead of hiring some crazy untalented Hollywood youth. Let us also not forget who produced this movie, the master of gore himself, Mr. Sam Raimi. Rest assured, if you thought he was way too bogged down in affairs of spider-like proportions to care for his loyal horror fans, you are gravely mistaken. His dedication and esteem can almost be scented throughout the entire film in fact.
I also found the acting to be good, especially from Sarah Michelle Gellar, who, as always, gave a smart performance. She needed a film like this, a film where her undisputed talents were given plenty of room to grow. Seeing her in both Scooby Doo flicks was painful, but The Grudge really allowed her to stretch her wings, amongst other things.

In all, The Grudge is a good and often scary film that, while flawed and probably not quite as good as it Japanese counterpart, was good enough. In an era dry of a decent scare, Takashi Shimizu and Sam Raimi have given us a nice taste of what horror should be; atmospheric and full of legitimate scares. In this, they almost certainly succeeded.
Video
Presented in anamorphic widescreen at its theatrical ratio of 1.85:1, The Grudge looks modestly good. Being a very stylistic film, and shot by a Japanese director, I found the colour palette to be pretty drained, which is fine. The washed-out look really adds to the mood of the film, it somehow gives it that cold edge.
Technically however, the print is lacking the tender loving care it perhaps needed. There are heavy amounts of grain for example, and the odd blemish on the print doesn’t go unnoticed. Still, my philosophy remains intact; a gritty film like this can get away with a dirty image, so long as other aspects are strong; sharpness for example. The Grudge succeeds all around in that respect.
Audio
The disc only contains a Dolby Digital 5.1 soundtrack, but the audio is great. Dialogue is sharp and the morbid soundtrack explodes throughout the front channels with a force to be reckoned with. LFE signals did have an avid presence but never overwhelmed the overall sound-field. Though everything was certainly good, I really would have liked an optional DTS soundtrack for this film.

Extras
First up, we have a feature length audio commentary with producer Sam Raimi and his brother Ted Raimi. Lead actress Sarah Michelle Gellar also lends her voice to the feature. I must confess that I liked this commentary track; both Sam Raimi and Sarah Michelle Gellar were pleasant to listen to and are very good talkers.
‘A Powerful Rage: Behind The Grudge’ is a five part feature that can be viewed in part or in whole. The chapter breakdown follows: ‘The Birth of The Grudge’, ‘Myth of the Ju-On’, ‘Culture Shock: The American cast in Japan’, ‘Designing The Grudge house’ and ‘A new direction: understanding Takashi Shimizu’. Each of these lasts for roughly ten minutes and are admittedly pretty decent. Sam Raimi and various cast/crew members lend themselves to each of these features.
'Under The Skin' is a twelve minute insight into the realm of fear, from a medical perspective. Not the best feature, but it does sports some nice explanatory segments. So, as you can see, The Grudge isn’t packed to the gills with features, but what has been proved does at least have some weight.
Overall
I don’t begrudge giving the film as high a rating as I have awarded it, I genuinely feel the film was actually a pretty solid horror flick, though it is absolutely no classic. In saying that however, I do place it amongst the best horror films this decade, but then, I don’t think that is a treasured compliment all things considered.

The Grudge is a great start for Sam Raimi and Robert Tapert’s Ghost House Pictures, and with several more films in the works including this film’s sequel, I am beginning to see a ray of light within the gloomy darkness of modern horror. Perhaps horror will in some small way return to its glorious 70s and 80s roots. Here’s hoping.
The DVD is pretty good overall. The transfer is actually fairly decent and the audio soundtrack made for a pleasant listening experience. Feature-wise however, the disc does show signs of frayed edges. With that said, the audio commentary and provided features were insightful enough.

Film
Karen Davis (Sarah Michelle Gellar of Buffy the Vampire Slayer fame) is a lovable American nurse living and working in Tokyo with her boyfriend. When she agrees to stand in for somebody who never showed for work, Karen finds herself in a strange, dishevelled house caring for an elderly woman. Whilst tending to the woman, odd things begin to happen, and sooner or later Karen is faced with horrifying supernatural odds and a devastating evil is unleashed. Helplessly, and without warning, Karen unveils the secrets of the house and learns of a curse she realises she must stop before it’s too late.
Think of The Grudge as a kind of twisted, screwed up and downright horrifying retelling of Lost in Translation. The subtle mood is there, so is the busyness of Tokyo. All you need to do is remove Bill Murray, replace him with Sarah Michelle Gellar, throw in some pale-looking Japanese zombies and a few death scenes and away you go.
Actually, this remake of the cult Japanese favourite happens to be pretty good. Perhaps this is in part down to the inspired choice of roping back Ju-On writer/director Takashi Shimizu instead of hiring some crazy untalented Hollywood youth. Let us also not forget who produced this movie, the master of gore himself, Mr. Sam Raimi. Rest assured, if you thought he was way too bogged down in affairs of spider-like proportions to care for his loyal horror fans, you are gravely mistaken. His dedication and esteem can almost be scented throughout the entire film in fact.
I also found the acting to be good, especially from Sarah Michelle Gellar, who, as always, gave a smart performance. She needed a film like this, a film where her undisputed talents were given plenty of room to grow. Seeing her in both Scooby Doo flicks was painful, but The Grudge really allowed her to stretch her wings, amongst other things.

In all, The Grudge is a good and often scary film that, while flawed and probably not quite as good as it Japanese counterpart, was good enough. In an era dry of a decent scare, Takashi Shimizu and Sam Raimi have given us a nice taste of what horror should be; atmospheric and full of legitimate scares. In this, they almost certainly succeeded.
Video
Presented in anamorphic widescreen at its theatrical ratio of 1.85:1, The Grudge looks modestly good. Being a very stylistic film, and shot by a Japanese director, I found the colour palette to be pretty drained, which is fine. The washed-out look really adds to the mood of the film, it somehow gives it that cold edge.
Technically however, the print is lacking the tender loving care it perhaps needed. There are heavy amounts of grain for example, and the odd blemish on the print doesn’t go unnoticed. Still, my philosophy remains intact; a gritty film like this can get away with a dirty image, so long as other aspects are strong; sharpness for example. The Grudge succeeds all around in that respect.
Audio
The disc only contains a Dolby Digital 5.1 soundtrack, but the audio is great. Dialogue is sharp and the morbid soundtrack explodes throughout the front channels with a force to be reckoned with. LFE signals did have an avid presence but never overwhelmed the overall sound-field. Though everything was certainly good, I really would have liked an optional DTS soundtrack for this film.

Extras
First up, we have a feature length audio commentary with producer Sam Raimi and his brother Ted Raimi. Lead actress Sarah Michelle Gellar also lends her voice to the feature. I must confess that I liked this commentary track; both Sam Raimi and Sarah Michelle Gellar were pleasant to listen to and are very good talkers.
‘A Powerful Rage: Behind The Grudge’ is a five part feature that can be viewed in part or in whole. The chapter breakdown follows: ‘The Birth of The Grudge’, ‘Myth of the Ju-On’, ‘Culture Shock: The American cast in Japan’, ‘Designing The Grudge house’ and ‘A new direction: understanding Takashi Shimizu’. Each of these lasts for roughly ten minutes and are admittedly pretty decent. Sam Raimi and various cast/crew members lend themselves to each of these features.
'Under The Skin' is a twelve minute insight into the realm of fear, from a medical perspective. Not the best feature, but it does sports some nice explanatory segments. So, as you can see, The Grudge isn’t packed to the gills with features, but what has been proved does at least have some weight.
Overall
I don’t begrudge giving the film as high a rating as I have awarded it, I genuinely feel the film was actually a pretty solid horror flick, though it is absolutely no classic. In saying that however, I do place it amongst the best horror films this decade, but then, I don’t think that is a treasured compliment all things considered.

The Grudge is a great start for Sam Raimi and Robert Tapert’s Ghost House Pictures, and with several more films in the works including this film’s sequel, I am beginning to see a ray of light within the gloomy darkness of modern horror. Perhaps horror will in some small way return to its glorious 70s and 80s roots. Here’s hoping.
The DVD is pretty good overall. The transfer is actually fairly decent and the audio soundtrack made for a pleasant listening experience. Feature-wise however, the disc does show signs of frayed edges. With that said, the audio commentary and provided features were insightful enough.
Review by Benjamin Willcock
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I went to see Ju-On first thinking that it was going to be awesome (since usually the original film is better than the remakes) and my God was this movie bad. The whole audience was just laughing along at how bad it was. The week after I went to see The Grudge with Ms. Gellar and beside it having a better ending it still stunk because it was almost a frame by frame remake of the original.
Quote: Originally posted by floyd dylan
Quote: directed by Takashi Shimizu, who also ironically penned and helmed the original Japanese version Ju-On,
Did the reviewer go to the same school as Alanis Morrisette, because she misunderstood the word irony?
lol, no it was an honest typo... oops.
Quote: directed by Takashi Shimizu, who also ironically penned and helmed the original Japanese version Ju-On,
Did the reviewer go to the same school as Alanis Morrisette, because she misunderstood the word irony?
lol, no it was an honest typo... oops.

Quote: directed by Takashi Shimizu, who also ironically penned and helmed the original Japanese version Ju-On,
Did the reviewer go to the same school as Alanis Morrisette, because she misunderstood the word irony?
Did the reviewer go to the same school as Alanis Morrisette, because she misunderstood the word irony?
This movie is awesome and i am getting this DVD for sure
Yeah, they were different enough overall. The way they presented their ghosts was done in a completely different fashion (and I'll admit the croaking sound the female makes is a little unnerving at first
).
I never really got the 'Lost In Translation' comparisons that I've seen made before as well. I mean, I know where they come from. But outside of that one conversation between the husband and wife at the dinner table, I can't really think of one instance where the language barrier was brought up or presented a problem to a character.

I never really got the 'Lost In Translation' comparisons that I've seen made before as well. I mean, I know where they come from. But outside of that one conversation between the husband and wife at the dinner table, I can't really think of one instance where the language barrier was brought up or presented a problem to a character.
Quote: Originally posted by Matt Thompson
No, because I felt I was watching Ringu. When I attended an early screening, people laughed during that scene. I was half-sure the ghost would come out of the TV. And the nice cartoon eyes didn't help matters.
I have to admit, I actually thought she was going to come out of the TV, grab him by his head and kill him or something. I guess it was just the way it was shot.
Also, another 'Ring' similarity I noticed was the camera angle on the hallway sequence (as Karen walks down it at one point). That was practically identical to Gore Verbinski's shot.
Save for that, I thought both films were completelly different.
No, because I felt I was watching Ringu. When I attended an early screening, people laughed during that scene. I was half-sure the ghost would come out of the TV. And the nice cartoon eyes didn't help matters.
I have to admit, I actually thought she was going to come out of the TV, grab him by his head and kill him or something. I guess it was just the way it was shot.
Also, another 'Ring' similarity I noticed was the camera angle on the hallway sequence (as Karen walks down it at one point). That was practically identical to Gore Verbinski's shot.
Save for that, I thought both films were completelly different.
boring???
i loved it. i'll be buying the unrated one when it is released.
Quote: Think of The Grudge as a kind of twisted, screwed up and downright horrifying retelling of Lost in Translation.
I'd have to agree, although I wouldn't have been able to think of a comparison such as that. Good job!
I'd have to agree, although I wouldn't have been able to think of a comparison such as that. Good job!
Deleted Member
That was the most boring and unscary horror movie ever. The Ring rules!
No, because I felt I was watching Ringu. When I attended an early screening, people laughed during that scene. I was half-sure the ghost would come out of the TV. And the nice cartoon eyes didn't help matters.
Quote: Originally posted by Matt Thompson
Ugh. Nice review, but the film? Not one decent scare, and there's no story to fall back on.
True, it was perhaps more style than substance, but come on - what about the video-tape scene? Did that not make the hairs on the back of your neck stand on end?
Ugh. Nice review, but the film? Not one decent scare, and there's no story to fall back on.
True, it was perhaps more style than substance, but come on - what about the video-tape scene? Did that not make the hairs on the back of your neck stand on end?
Ugh. Nice review, but the film? Not one decent scare, and there's no story to fall back on.
Quote: Originally posted by Darrell Judd
I got my copy of this recently on R1 - during the commentary there are a few references to an extended, uncut version. Does anyone know anything?
Sam Raimi has publicly said later this year there will be an extended unrated cut DVD released.
I got my copy of this recently on R1 - during the commentary there are a few references to an extended, uncut version. Does anyone know anything?
Sam Raimi has publicly said later this year there will be an extended unrated cut DVD released.
Never liked Jap horror and I won't start here. Pass.
Extended Version
I got my copy of this recently on R1 - during the commentary there are a few references to an extended, uncut version. Does anyone know anything?
I enjoyed this one. Nice to see Gellar in a decent role after the Scooby flicks.
Quote: Originally posted by Eric Draven
"directed by Takashi Shimizu, who also ironically penned and helmed the original Japanese version Ju-On"
That's not irony.
No, I don't suppose it is... I shall have to correct that; it should have read: "directed by Takashi Shimizu, who also, incidentally, penned and helmed the original Japanese version Ju-On"
"directed by Takashi Shimizu, who also ironically penned and helmed the original Japanese version Ju-On"
That's not irony.

No, I don't suppose it is... I shall have to correct that; it should have read: "directed by Takashi Shimizu, who also, incidentally, penned and helmed the original Japanese version Ju-On"
Review
"directed by Takashi Shimizu, who also ironically penned and helmed the original Japanese version Ju-On"
That's not irony.
That's not irony.



Suitable only for persons of 15 years and over
Disc Details
Release Date:
14th February 2005
Discs:
1
Disc Type:
Single side, dual layer
RCE:
No
Video:
PAL
Aspect:
1.85:1
Anamorphic:
Yes
Colour:
Yes
Audio:
Dolby Digital 5.1 English
Subtitles:
English
Extras:
Audio Commentary from Members of the Cast and Crew Including Sam Raimi, Ted Raimi and Sarah Michelle Gellar, 'A Powerful Rage: Behind The Grudge' Feature, 'Under The Skin': a Featurette Exploring the Medical Explanations of Fear Response in the Film
Easter Egg:
No
Feature Details
Director:
Takashi Shimizu
Cast:
Sarah Michelle Gellar, Jason Behr, William Mapother, Clea DuVall, Grace Zabriskie, Bill Pullman, Ted Raimi, Ryo Ishibashi, Yoko Maki, Yuya Ozeki
Genre:
Horror
Length:
96 minutes
Ratings
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